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🧶 Woolwish No8 2022 needle-felt appliqué an

🧶

Woolwish No8
2022

needle-felt appliqué and embroidery. Wool scraps and tapestry yarns, on vintage canvas panel .
Stitch mounted on archival board and framed in a bespoke minimal oak shallow box frame with artglass .

Frame size 40cm x 33cm
this work is ready to hang. one of three small woolly works new on my website shop. link in bio 🧶🧵🧶
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#bricolage #abstractwork #art #clothart #wool #yarn #abstractconstruction #embroidery #material #wishes #surplus #abstractcloth #woolenscrap #shoddy #materialcolour #wastenot #makingthings #woven #cobbled #fragments #leftovers #discarded #reuse #repair #rethink

〰️ 〰️ 〰️ CoMB 2024 Limited Edition Pri

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CoMB
2024
Limited Edition Print
in an edition of 10
50cm x 50cm
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available from my website 🪴🫖🍠 ongoing series of imprint collages - with screen print layers - additions of pastel colour and ink line drawings - now made into a limited edition fine art print on beautiful hahnemuhle german etching paper. Imprints of clothy texture and edges are taken from cloth work and reused in these paper works - around and around it goes …..
chambers are rooms - space is only because of objects
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#collage #screenprint #fineartprint #imprint #offset #line #comb #layeredcolour #space #objects #function #form #colourinteraction #landscape #plant #insideoutside #limitededitionprint #hanhemuhlepaper #germanetching

🧶🧵👗👛🧣 NEW THINGSss are in my websho

🧶🧵👗👛🧣
NEW THINGSss are in my webshop. My online shop has been a bit shut - for quite a long long while - but no more. NOW there are nEW edition prints x 5 - and a few small textiles to peruse and purchase directly, like this one 👆🏼- link to my shop in bio

🎪
Shelter 2024. *SOLD

Needle-felt appliqué and embroidery on wool blanket.
Found and reclaimed materials, wool felt, yarns and cotton embroidery threads.
38cm x 28cm

These small textile studies, draw on a rich tradition of abstract textile making, and painting, stretching back to the weavers of the Bauhaus and one of the great pioneers of abstraction in textiles, Sonja Delaunay. Whilst thinking about sustainability I consider scraps, fragments, waste and reuse. These soft, wooly constructions recall the fuzzy felt pictures of my childhood; now progressed and delighting in the formal explorings and the energy of discarded materials, that has become so important to my practice.

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🍉🍉🍉 this work still available via @artist

🍉🍉🍉 this work still available via @artistssupportingpalestine

FRINGED 2024
Needlefelt applique + embroidery on
wool blanket. Found and reclaimed materials, wool felt,
yarns and cotton embroidery threads.
artwork: 34cm x 27cm
mount: 38cm x 30cm

reduced £200 - message me if you would like to purchase - all of the money will go to @medicalaidpal .
I will cover p&p .

This work is offered for sale as part of the Artists Supporting Palestine @artistssupportingpalestine initiative.

100% of the sale price will be donated to Medical Aid for Palestinians @medicalaidpal

#artistssupportingpalestine #savegazachildren #donate #stopthearmstrade

🔺🔺100% goes to @medicalaidpal 🔺🔺

🌊🌊🌊 tide racing in - stunning morning run

🌊🌊🌊
tide racing in - stunning morning run in Ramsgate today … .
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some might say it’s not running - i am so slow, my shadow looks like it’s walking 🥸- but my fitbit tells me i have - so there.

💧💧💧 Tincture A3 new print edition of 20

💧💧💧
Tincture A3
new print edition of 20
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almost unheard of use of a purple caran dache pastel in the original of this new edition
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purple: the colour of the suffrage moment - and the artist formerly known as … Of royalty status and power - because of the association with the early pigment extracted by the Phoenicians from the mucus of Murex sea snails - labour intensive, difficult to produce and very expensive.
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i find a little bit goes a long way - and needs ochre nearby - but there are really no rules

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Images, artwork, and content on this website are copyright to Maxine Sutton and may not be copied, collected, or re-used without written permission.
All copyright and images of artwork, sold or otherwise, is retained by Maxine Sutton